Today's post is dedicated to semolina cake (torta di semolina), another lovely recipe by Pellegrino Artusi. Semolina-based desserts are the highlight of Middle-eastern cuisine but the finely milled wheat grain is also used in Europe for binding custards and puddings. Earlier on, Roman and Greek chefs of the Antiquity used semolina for thickener and making 'fyllo' pastry. The oriental version of semolina cake is much more dense than Pellegrino Artusi's specialty, with added flour and/or ground nuts, and invariably drenched in syrup.
Peasant woman binding sheaves - Van Gogh, 1889 |
'Torta di semolina' from Science in the Kitchen and the Art of Eating Well (1891) is not exactly a pudding because it's sliced with a knife. It's not a festive cake either. Ricotta, potatoes, and semolina appear interchangeably in the category of light desserts by Pellegrino Artusi that may be either 'torta' or 'budino'. So there is both ricotta cake and ricotta pudding, semolina cake and semolina pudding etc. Recipes by Pellegrino Artusi are nearly unsweetened and 'torta di semolina' is no exception. Half a glass of sugar is too little in proportion with the other ingredients but milk, semolina & almonds are naturally sweet.
In fact, Pellegrino Artusi was very keen on healthy eating and suggested moderation in all things. Heavy cream was practically non-existent in his recipes, chocolate a rarity, eggs and butter used in moderation, sugar often replaced with fruit preserves. Fillings and glazings, if added, were never complicated. Portions were relatively small and desserts relatively flat. Everything was lighter than its modern version, whether Italian or foreign.
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